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Elizabethan ruff Stock Photos and Images
RMB55KEF–Steel corsets and wigs won't be revived in the new Elizabethan age, but some of the prettier fashions-like the Elizabethan ruff-will certainly be copied. For less than ten shillings, you can look like an Elizabethan - in spite of that perm and short skirt-by making yourself a period ruff. Here are instructions for making a ruff you will need: 1/2 yard of white Petersham lin. wide; two hook and eye fasteners; one yard 2in. wide horsehair (on haberdashery counters at 1/4 a yard); one yard yard or remanat of white lace about lin. wide
RMMPC3Y4–London, UK. 22nd May, 2018. Royal Approval the biggest Elizabethan ruff ever created - made from sheet aluminium folded in an origami way, it has been created by Kinetech Design in collaboration with Amari Interiors and Timberfusion. It is in St John's Gate which saw the first performances of some of Shakespeare's most famous works - Outdoor installations for Clerkenwell Design Week, which starts today. Credit: Guy Bell/Alamy Live News
RM2HB1X8T–Portrait of a Man, Frans Hals, Dutch, ca. 1580-1666, Oil on canvas, Netherlands, ca. 1614-1615, 29 x 21 3/4 in., 73.7 x 55.2 cm, Baroque, beard, ca. 1614-1615, coat of arms, Dutch, Dutch painting, Elizabethan Period, Frans Hals, Grim, male, man, mustache, oil painting, Portrait, Portrait of a Man, ruff, x-ray
RM2B2E4RW–John Stowe, Historian and Antiquarian, 1525-1605, from his monument in the Church of St. Andrew Undershaft. Depicted in an Elizabethan ruff holding a quill pen. Copperplate engraving by John Thomas Smith after original drawings by members of the Society of Antiquaries from his J.T. Smith’s Antiquities of London and its Environs, J. Sewell, R. Folder, J. Simco, London, 1792.
RM2R1DG7M–An old engraving of clothing worn by men in Tudor/Elizabethan times in England. The style of dress dates from latter part of the 16th and early 17th centuries during the reign of Elizabeth I (1558–1603). More variety crept into taste and fashions of the era. For men the doublet and hose were in vogue, with breeches of various lengths below a tapered and narrow waist or cod-piece. Short cloaks worn over the top. Ruffs again featured. Hats with brims and a loose, informal style became popular. Hair length varied and beards and moustaches were fashionable.
RM2T68TT5–John Stowe, Historian and Antiquarian, 1525-1605, from his monument in the Church of St. Andrew Undershaft. Depicted in an Elizabethan ruff holding a quill pen. Copperplate engraving by John Thomas Smith after original drawings by members of the Society of Antiquaries from his J.T. Smiths Antiquities of London and its Environs, J. Sewell, R. Folder, J. Simco, London, 1792.
RM2D9PRTJ–Sir Philip Sidney (1554-1586). English poet, courtier and soldier. Elizabethan era. Sidney depicted in his 23rd year. Portrait by an unknown artist. Oil on panel, c. 1576. National Portrait Gallery. London, England, United Kingdom.
RMAP8EH2–The ornate marble tomb of Sir Baptist Hicks in St James church in the Cotswold town of Chipping Campden, Gloucestershire
![Michel de Montaigne. Unknown, photographer about 1870 A portrait of Michel Eyquem de Montaigne, a French philosopher also known as Lord of Montaigne. He is depicted wearing a hat and an Elizabethan ruff. (Verso, print) center, black ink: 'No 1216'; (Recto, album page) lower center, below image, black ink on white paper label: 'E/97 [space] Michel de Montaigne.'; Stock Photo](https://c8.alamy.com/comp/2WT109F/michel-de-montaigne-unknown-photographer-about-1870-a-portrait-of-michel-eyquem-de-montaigne-a-french-philosopher-also-known-as-lord-of-montaigne-he-is-depicted-wearing-a-hat-and-an-elizabethan-ruff-verso-print-center-black-ink-no-1216-recto-album-page-lower-center-below-image-black-ink-on-white-paper-label-e97-space-michel-de-montaigne-2WT109F.jpg "Michel de Montaigne. Unknown, photographer about 1870 A portrait of Michel Eyquem de Montaigne, a French philosopher also known as Lord of Montaigne. He is depicted wearing a hat and an Elizabethan ruff. (Verso, print) center, black ink: 'No 1216'; (Recto, album page) lower center, below image, black ink on white paper label: 'E/97 [space] Michel de Montaigne.'; Stock Photo")
RM2WT109F–Michel de Montaigne. Unknown, photographer about 1870 A portrait of Michel Eyquem de Montaigne, a French philosopher also known as Lord of Montaigne. He is depicted wearing a hat and an Elizabethan ruff. (Verso, print) center, black ink: 'No 1216'; (Recto, album page) lower center, below image, black ink on white paper label: 'E/97 [space] Michel de Montaigne.';
RMW60BF2–Sir Edward Coke (1552-1634), 1666. By David Loggan (1634-1692). Sir Edward Coke, English barrister, judge and politician who is considered to be the greatest jurist of the Elizabethan and Jacobean eras.
RM2M9891N–Elizabethan servants polishing saucepans. 'When slovenly servants get tidy, they polish the bottoms of the saucepans' - Moral Emblems - 1863.
RMFY5YAA–London, UK. 22 April 2016. To commemorate the 400th anniversary of William Shakespeare's death, Luke Hollowell-Williams, artistic director of the Primary Shakespeare Company, will run the 2016 Virgin Money London Marathon as the Bard, complete with sculpted beard, Elizabethan ruff, red and yellow-striped Elizabethan hose and white tights. Credit: Vibrant Pictures/Alamy Live News
RMMPR2D3–'Miniatures of the Elizabethan Period (Victoria and Albert Museum.)', c1580-1610, (1903). Artist: Unknown.
RMMPC3Y5–London, UK. 22nd May, 2018. Royal Approval the biggest Elizabethan ruff ever created - made from sheet aluminium folded in an origami way, it has been created by Kinetech Design in collaboration with Amari Interiors and Timberfusion. It is in St John's Gate which saw the first performances of some of Shakespeare's most famous works - Outdoor installations for Clerkenwell Design Week, which starts today. Credit: Guy Bell/Alamy Live News
RMGHAA0F–Portrait of Sir Edward Coke 1552 to 1634, an English barrister, judge and, later, opposition politician, who is considered to be
RM2K2JW10–Edmund Spenser (1552?-1599) English Elizabethan poet. Engraving from 'The Gallery of Portraits' Vol. IV, by Charles Knight (London, 1835).
RM2M968MN–Music cover for The Little Wee Dog, as sung in La Belle Sauvage (a burlesque on the subject of Pocahontas) by Mr A W Young at the St James's Theatre, London, with words and music by Septimus Winner (1827-1902) and additional verses (for the encore) by Barton Hill. A plump man is depicted in grey-green Elizabethan costume, with an enormous white ruff and wide-brimmed hat, smoking a long churchwarden pipe. His hair and beard are bright yellow in colour. The refrain of the song goes as follows: Oh where, and oh where, is my leetel wee dog? Oh where! oh where can he be? Mit his ears cut sh
RMKC7WBM–Lady in Elizabethan Costume, late 17th century, Country of Origin India, probably Lucknow, Opaque watercolor, gold, and silver
RM2R1DG7H–An old engraving of clothing worn in Tudor/Elizabethan times in England. The style of dress dates from latter part of the 16th and early 17th centuries during the reign of Elizabeth I (1558–1603). More variety crept into taste and fashions of the era. Women’s clothes featured long dresses and robes often embroidered with jewels. Neck ruffs were popular. For men doublet and hose were worn, with breeches of various lengths below a tapered/narrow waist or cod-piece. Short cloaks worn over this. These would have been worn by those in society with money, landed gentry and the nobility at court.
RM2D9J97T–Sir Henry Unton (c. 1558-1596). Elizabethan English diplomat. Painting by an unknown artist. Oil on panel, c.1596. Narrative portrait of Unton's life. National Portrait Gallery. London, England, United Kingdom.
RM2T69WE1–John Speeds monument in the chancel of St. Giles, Cripplegate. Speed was an Elizabethan cartographer and historian 1551-1629, depicted in lace ruff and doublet, holding a book and skull. Copperplate engraving by John Thomas Smith after original drawings by members of the Society of Antiquaries from his J.T. Smiths Antiquities of London and its Environs, J. Sewell, R. Folder, J. Simco, London, 1791.
RM2WMADW4–Monumental brass of Anthony Pettow, Elizabethan yeoman, married Frauncis Bishope, died 1610. In ruff collar, cape, doublet and breeches, in Holy Trinity church, Middleton, Suffolk. Handtinted copperplate engraving drawn, etched and published by John Sell Cotman in Engravings of the Most Remarkable of the Sepulchral Brasses in Suffolk, Henry Bohn, London, 1818.
RM2B2E5CE–John Speed’s monument in the chancel of St. Giles, Cripplegate. Speed was an Elizabethan cartographer and historian 1551-1629, depicted in lace ruff and doublet, holding a book and skull. Copperplate engraving by John Thomas Smith after original drawings by members of the Society of Antiquaries from his J.T. Smith’s Antiquities of London and its Environs, J. Sewell, R. Folder, J. Simco, London, 1791.
RMFY5YA9–London, UK. 22 April 2016. To commemorate the 400th anniversary of William Shakespeare's death, Luke Hollowell-Williams, artistic director of the Primary Shakespeare Company, will run the 2016 Virgin Money London Marathon as the Bard, complete with sculpted beard, Elizabethan ruff, red and yellow-striped Elizabethan hose and white tights. Credit: Vibrant Pictures/Alamy Live News
RM2KF2KMA–George Gascoigne, English poet, soldier and courtier of the Elizabethan era, 1534-1577. In ruff collar and suit of armour, with books on a shelf. Tam Marti Quam Mercurio. From the woodcut frontispiece to his Steele Glas and Complaynte of Phylomene, 1576. Copperplate engraving from Samuel Woodburn’s Gallery of Rare Portraits Consisting of Original Plates, George Jones, 102 St Martin’s Lane, London, 1816.
RMPFG1NF–A man wearing a costume typical of the second half of the 16th century, including breeches, neck ruff and a padded short jacket
RM2WMADNM–Monumental brass of Humphrey Brewster, lord of Wrentham Hall, married Alice Forster, died 1593. In ruff collar and suit of Elizabethan armour, with coats of arms of Brewster (L) and Brewster impaling Forster (R) in St. Nicholas's church, Wrentham, Suffolk. Handtinted copperplate engraving drawn, etched and published by John Sell Cotman in Engravings of the Most Remarkable of the Sepulchral Brasses in Suffolk, Henry Bohn, London, 1818.
RMMPC43T–London, UK. 22nd May, 2018. Design bloggers tour the installations. Royal Approval the biggest Elizabethan ruff ever created - made from sheet aluminium folded in an origami way, it has been created by Kinetech Design in collaboration with Amari Interiors and Timberfusion. It is in St John's Gate which saw the first performances of some of Shakespeare's most famous works - Outdoor installations for Clerkenwell Design Week, which starts today. Credit: Guy Bell/Alamy Live News
RMTAACG9–Elizabeth Triumphant (Eliza Triumphans), c1589. By William Rogers (c1545-c1604). This early copper-plate engraving celebrates Elizabeth I's victory over the Spanish Armada. She stands triumphant surrounded by emblems of victory and peace, in front of a seascape symbolising British dominence of the sea.
RMEBR3TD–ActiveMuseum 0003706.jpg / Queen Elizabeth I, 1560 - unknown artist 22/01/2014 - / 16th century Collection / Active Museum
RF2HTYCJ2–Art inspired by Lady in Elizabethan Costume, late 17th century, Country of Origin India, probably Lucknow, Opaque watercolor, gold, and silver on paper, H. 7 in. (17.8 cm), Codices, This image is probably based on a European engraving following a popular oval format. While the lady, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RME136AB–Feb. 28, 2012 - When she is in - she can't get out, The lady with the wide Elizabethan Gown; Pretty 22 year old Joanne Lee of Durham - who plays the role of Queen Elizabeth I - in the Wembley Pool ''Sleeping Beauty'' Pantomime has to get to the stadium earlier than her colleague for it makes such a long time to get into her glorious 25 yard gold satin gown - which is complete with a huge ruff and a wired underskirt. The gown is a copy of the one worn by the Queen in the famous Armade painting. The weight of the dress makes it difficult for Anne to keep her balance on the ice
RMDC0MK2–1500s 1580s VICE ADMIRAL SIR FRANCIS DRAKE BRITISH EXPLORER SHIP GOLDEN HIND DEFEAT OF THE SPANISH ARMADA 1588
RM2D9PRTB–Henry Lee of Ditchley (1533-1611). Queen's Champion and Master of Armouries. Favourite of Queen Elizabeth I. Portrait by Anthonis Mor (1516-1575/76). Oil on panel, 1568. National Portrait Gallery. London, England, United Kingdom.
RM2T697MF–George Gascoigne, English poet, soldier and courtier of the Elizabethan era, 1534-1577. In ruff collar and suit of armour, with books on a shelf. Tam Marti Quam Mercurio. From the woodcut frontispiece to his Steele Glas and Complaynte of Phylomene, 1576. Copperplate engraving from Samuel Woodburns Gallery of Rare Portraits Consisting of Original Plates, George Jones, 102 St Martins Lane, London, 1816.
RM2WX7DRT–St Nun's church, Pelynt, Looe, Cornwall. Top of dismantled tomb chest of William Achym (1589) attached to south wall of the Chancel.
RMDDT0YE–Sir Francis Drake and Sir Martin Frobisher, 16th century English navigators, (1825). Artist: Sarah, Countess of Essex
RMPB7K7R–1218 Portrait of Sir Philip Sidney, illusthatixg the ruff worn with armour- Elizabethan People (book)
RM2PG98P3–Art / illustration for educational / play / school activity sheet of an Elizabethan cut out paper doll & historic clothes, woman's cut-out & dress-up.
RMFY5YAR–London, UK. 22 April 2016. To commemorate the 400th anniversary of William Shakespeare's death, Luke Hollowell-Williams, artistic director of the Primary Shakespeare Company, will run the 2016 Virgin Money London Marathon as the Bard, complete with sculpted beard, Elizabethan ruff, red and yellow-striped Elizabethan hose and white tights. Credit: Vibrant Pictures/Alamy Live News
RME8MTJX–UK, England, Devon, Barnstaple St Peter’s Parish church interior, memorial man in ruff holding bible
RMW60BH1–Sir Humphrey Gilbert (c1539-1583), c1620. By Magdalena de Passe (1600-1638) or Willem de Passe (c1598-c1637). English adventurer, explorer, member of parliament and soldier who served during the reign of Queen Elizabeth I.
RM2WMADW9–Monumental brass of Christian Foxe, wife of merchant and yeoman John Foxe, died aged 29 in 1618. Mother of Francis Foxe, died in infancy (bust below). In Elizabethan fashion of hat, ruff collar, stomacher and farthingale skirts. In St Peter's church, Yoxford, Suffolk. Handtinted copperplate engraving drawn, etched and published by John Sell Cotman in Engravings of the Most Remarkable of the Sepulchral Brasses in Suffolk, Henry Bohn, London, 1818.
RMMPC3Y7–London, UK. 22nd May, 2018. Design bloggers tour the installations. Royal Approval the biggest Elizabethan ruff ever created - made from sheet aluminium folded in an origami way, it has been created by Kinetech Design in collaboration with Amari Interiors and Timberfusion. It is in St John's Gate which saw the first performances of some of Shakespeare's most famous works - Outdoor installations for Clerkenwell Design Week, which starts today. Credit: Guy Bell/Alamy Live News
RMRX074C–John Donne (1573-1631), 1616. By Isaac Oliver (c1565-1617). John Donne (1572-1631), English poet and Church of England cleric.
RMKDEKXB–Portrait of Sir Philip Sidney, illusthatixg the ruff worn with armour Elizabethan People (book)
RM2B8N9B3–Mr. William Shakespeares Comedies, Histories, & Tragedies, 1623. Also know as the First Folio this work is the first collected edition of William Shakespeare's plays, collated and published in 1623, seven years after his death.
RMCB6P0Y–Actors dressed in traditional Elizabethan dress entertain visitors during the annual Shakespeare birthday celebrations
RMT6X5KX–Elizabeth I (1533-1603). After Federico Zuccari, also known as Federico Zuccaro (c1540-1609). Elizabeth I, Queen of England and Ireland from 17 November 1558 until her death on 24 March 1603. Sometimes called The Virgin Queen, Gloriana or Good Queen Bess, Elizabeth was the last monarch of the House of Tudor.
RMM6566H–1890s MAN ACTOR IN ELIZABETHAN FASHION COSTUME RUFFLED COLLAR & CUFFS VELVET TUNIC HAT WITH LARGE FEATHER PLUME & BEARD - c10748 HAR001 HARS INDOORS PROFESSION ENTERTAINMENT CONFIDENCE NOSTALGIA 20-25 YEARS 25-30 YEARS GOALS SUCCESS PERFORMING ARTS PEOPLE STORY DREAMS OCCUPATION HAPPINESS ADVENTURE PERFORMER RELAXATION WHISKER CAREERS LEADERSHIP RECREATION CUFFS PRIDE 1890s ENTERTAINER FACIAL HAIR CREATIVITY ACTORS IMAGINATION PERFORMERS PLUME TUNIC ENTERTAINERS HEAD-WARE MALES RUFF RUFFLED YOUNG ADULT MAN B&W BLACK AND WHITE CAUCASIAN ETHNICITY CHAIN OF OFFICE ELIZABETHAN FACE HAIR
RMRJ7H0P–'Petuchio, pretending to find fault with every dish, threw the meat about the floor'. By Arthur Rackham (1867-1939). Petruchio (Italian name: Petruccio) is the male protagonist in Shakespeare's The Taming of the Shrew (c1590-1594).
RME1423A–Mar. 31, 2012 - Dressing A Queen When she Is In She can't Get Out. Pretty 22 year old Jo Anne Lee of Durham, who is appearing in the ice pantomime ''Sleeping Beauty'' at the Wembley Pool, finds she has to get to the Stadium earlier than her colleague, reason is it takes her longer to dress. Jo Anne takes the part of Queen Elizabeth I in the great Elizabethan Age Finale of the show. She wears a magnificent gown made from 25 yards of gold satin, with a huge ruff at the neck over a wired underskin. The gown is an exact copy of the one worn bt the Queen in the famous Armada painting
RMDDT1GM–Sir Francis Drake, 16th century English navigator, (1825). Artist: Sarah, Countess of Essex
RMPB7K7X–1781 Two Portraits of Queen Elizabeth, Illustrating Wide Ruff and Headress- Elizabethan People (book)
RM2PG98PF–Art illustration of an historic Elizabethan period cut out and dress up doll, male, English men's clothing in the 1500s, 16th century, activity sheet.
RMFY5YAC–London, UK. 22 April 2016. To commemorate the 400th anniversary of William Shakespeare's death, Luke Hollowell-Williams, artistic director of the Primary Shakespeare Company, will run the 2016 Virgin Money London Marathon as the Bard, complete with sculpted beard, Elizabethan ruff, red and yellow-striped Elizabethan hose and white tights. Credit: Vibrant Pictures/Alamy Live News
RMMAHYDX–. English: Shows cat wearing Elizabethan/17-century lace ruff collar. File name: 07 11 000711 Title: The Widow Date issued: 1861-1897 (approximate) Physical description note: Genre: Chromolithographs Location: Boston Public Library, on 2011-08-07: Camera: Sinar AG Sinarback 54 FW, Sinar m . 1861-1897 (approximate date of lithograph); Flickr loaded: 2008-07-23 15:08:40
RM2WMADXY–Monumental brass of Henry Mason, Henrici Mason, studied at Cambridge, died 1619, aged 66. In ruff collar, gown with hanging sleeves, All Saints church, Eyke, Suffolk. Handtinted copperplate engraving drawn, etched and published by John Sell Cotman in Engravings of the Most Remarkable of the Sepulchral Brasses in Suffolk, Henry Bohn, London, 1818.
RMMPC3Y8–London, UK. 22nd May, 2018. Design bloggers tour the installations. Royal Approval the biggest Elizabethan ruff ever created - made from sheet aluminium folded in an origami way, it has been created by Kinetech Design in collaboration with Amari Interiors and Timberfusion. It is in St John's Gate which saw the first performances of some of Shakespeare's most famous works - Outdoor installations for Clerkenwell Design Week, which starts today. Credit: Guy Bell/Alamy Live News
RMKE48HX–Two Portraits of Queen Elizabeth, Illustrating Wide Ruff and Headress Elizabethan People (book)
RMWBE230–Elizabeth I of England (1533-1603). Queen of England and Ireland (1558-1603). Queen Elizabeth signs the condemnation to death to Mary Stuart. Engraving after a painting from the German artist Alexander von Liezen-Mayer (1839-1898). Detail. La Ilustracion Española y Americana, September 8, 1876.
RMCB6P1B–Actors dressed in traditional Elizabethan dress entertain visitors during the annual Shakespeare birthday celebrations
RMC57JEH–Elizabethan style memorial to Adrian and Mary Stoughton parents of 16 children in St.Andrews Church West Stoke.
RME1423J–Mar. 31, 2012 - Dressing A Queen When she Is In She can't Get Out. Pretty 22 year old Jo Anne Lee of Durham, who is appearing in the ice pantomime ''Sleeping Beauty'' at the Wembley Pool, finds she has to get to the Stadium earlier than her colleague, reason is it takes her longer to dress. Jo Anne takes the part of Queen Elizabeth I in the great Elizabethan Age Finale of the show. She wears a magnificent gown made from 25 yards of gold satin, with a huge ruff at the neck over a wired underskin. The gown is an exact copy of the one worn bt the Queen in the famous Armada painting
RMA4JEPP–Prince George and Mary of Teck in fancy dress, Devonshire House Ball, 1897. Artist: Unknown
RMD3C1GG–Vintage engraving of Sir Walter Raleigh an English aristocrat, writer, poet, soldier, courtier, spy, and explorer.
RM2M968F5–Music sheet cover for Merrie England Quadrille on Old English Melodies, by Henri Talbot. An Elizabethan couple are depicted in the garden of a grand country house. The lady is sitting with a mandolin in her lap, as if ready to play, while the man leans against a stone monument.
RMFY5YA8–London, UK. 22 April 2016. To commemorate the 400th anniversary of William Shakespeare's death, Luke Hollowell-Williams, artistic director of the Primary Shakespeare Company, will run the 2016 Virgin Money London Marathon as the Bard, complete with sculpted beard, Elizabethan ruff, red and yellow-striped Elizabethan hose and white tights. Credit: Vibrant Pictures/Alamy Live News
RM2T69W4Y–Queen Elizabeth of England washes her hands in a bowl held by her page boy in a garden. A courtier in a ruff collar sniffs a clove orange beside her. Smithsonian-process colour print after Art Deco master George Barbier from Richard le Galliennes Romance of Perfume, Hudnut, New York, 1928.
RM2WMADW8–Monumental brass of Anthony Cooke, c.1534-1613. Father of 11 children, ten survived him. In ruff collar, doublet, trunk hose and cape, hands in prayer, in St Peter's church, Yoxford, Suffolk. Handtinted copperplate engraving drawn, etched and published by John Sell Cotman in Engravings of the Most Remarkable of the Sepulchral Brasses in Suffolk, Henry Bohn, London, 1818.
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