Charles negre Stock Photos and Images

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Charles negre Stock Photos and Images

Charles Nègre - The Vampire - Musée d’Orsay, Paris Stock Photo

RMG32C0N–Charles Nègre - The Vampire - Musée d’Orsay, Paris

328 Charles Nègre, Construction du pont d’Arcole, 1855 Stock Photo

RMP5TKAX–328 Charles Nègre, Construction du pont d’Arcole, 1855

Charles Nègre, Construction du pont d Arcole, 1855 Stock Photo

RMJFWW24–Charles Nègre, Construction du pont d Arcole, 1855

124 Charles Nègre - Italian Street Musicians at Entrance to 21 Quai de Bourbon Stock Photo

RMPC4BR5–124 Charles Nègre - Italian Street Musicians at Entrance to 21 Quai de Bourbon

Lord Brougham and his Family, Cannes, Charles Nègre, 1862 Stock Photo

RMKC77KF–Lord Brougham and his Family, Cannes, Charles Nègre, 1862

Inspired by Arles: Roman Ramparts, Charles Nègre, French, 1820–1880, 1852, Salt print from waxed paper negative, Arles, France, Europe, Photographs, 9 in. x 12 3/4 in. (22.9 x 32.4 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HK67MD–Inspired by Arles: Roman Ramparts, Charles Nègre, French, 1820–1880, 1852, Salt print from waxed paper negative, Arles, France, Europe, Photographs, 9 in. x 12 3/4 in. (22.9 x 32.4 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

RF2PGTCED–Charles Nègre - The Vampire

Art inspired by Tarascon, ca. 1852, Albumen silver print from paper negative, 23.6 x 29.5 cm (9 5/16 x 11 5/8 in.), Photographs, Charles Nègre (French, 1820–1880, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTX0W5–Art inspired by Tarascon, ca. 1852, Albumen silver print from paper negative, 23.6 x 29.5 cm (9 5/16 x 11 5/8 in.), Photographs, Charles Nègre (French, 1820–1880, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Charles Negre Museum of Photography in Nice Stock Photo

RM2T64J0T–Charles Negre Museum of Photography in Nice

Inspired by Italian Street Musicians at Entrance to 21 Quai de Bourbon, Charles Nègre, French, 1820–1880, c.1854, Albumen print, Paris, Île-de-France, France, Europe, Photographs, image: 7 3/8 x 5 1/2 in. (18.8 x 13.9 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HK66FC–Inspired by Italian Street Musicians at Entrance to 21 Quai de Bourbon, Charles Nègre, French, 1820–1880, c.1854, Albumen print, Paris, Île-de-France, France, Europe, Photographs, image: 7 3/8 x 5 1/2 in. (18.8 x 13.9 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

. A picture taken by en:Charles Negre in en:1853. Of Henri Le Secq near the 'Stryge' chimera on en:Notre Dame de Paris. 1853. Author: Charles Nègre; Uploader: Dfrg.msc 272 Henri Le Secq near a Gargoyle Stock Photo

RMMX9JXP–. A picture taken by en:Charles Negre in en:1853. Of Henri Le Secq near the 'Stryge' chimera on en:Notre Dame de Paris. 1853. Author: Charles Nègre; Uploader: Dfrg.msc 272 Henri Le Secq near a Gargoyle

Jean Auguste Dominique Ingres (1780-1867), French Neoclassical painter, portrait print by Charles Nègre & André Jammes, 1844 Stock Photo

RM2GB4W9K–Jean Auguste Dominique Ingres (1780-1867), French Neoclassical painter, portrait print by Charles Nègre & André Jammes, 1844

Grasse. Charles Nègre; French, 1820-1880. Date: 1855. Dimensions: 15.4 × 21.2 cm (image/paper). Salted paper print. Origin: France. Museum: The Chicago Art Institute. Stock Photo

RMRXE6WR–Grasse. Charles Nègre; French, 1820-1880. Date: 1855. Dimensions: 15.4 × 21.2 cm (image/paper). Salted paper print. Origin: France. Museum: The Chicago Art Institute.

Early heliogravure photo by Frenchman Charles Negre, of a fife player talking to Italian peasant women, seated in courtyard in Stock Photo

RMCWBR6A–Early heliogravure photo by Frenchman Charles Negre, of a fife player talking to Italian peasant women, seated in courtyard in

Charles Nègre - Chartres Cathedral 1855 Stock Photo

RFM1R6PB–Charles Nègre - Chartres Cathedral 1855

Vincennes Imperial Asylum: the Doctor's Visit by Charles Negre, 1859 Stock Photo

RMTA28JB–Vincennes Imperial Asylum: the Doctor's Visit by Charles Negre, 1859

Charles Nègre - The Abbey of Montmajour 1852 Stock Photo

RFM1R6RC–Charles Nègre - The Abbey of Montmajour 1852

Charles-negre-vu-de-l-etage-du-21-quai-bourbon. Stock Photo

RMW2FKE8–Charles-negre-vu-de-l-etage-du-21-quai-bourbon.

RMJ0APCR–Charles Nègre - The Vampire -

Charles Nègre - Women in a Courtyard Stock Photo

RMG0NGH4–Charles Nègre - Women in a Courtyard

RMJ0A9G9–Charles Nègre - Women in a Courtyard -

Charles negre le phare au point du mole Stock Photo

RMJW371B–Charles negre le phare au point du mole

RESTORATION OF TOUR SANTIAGO Charles Nègre (1820-1880). La restauration de la tour Saint-Jacques, Paris (Ier arr.). 1857. Paris, musée Carnavalet. Stock Photo

RM2B9FXKX–RESTORATION OF TOUR SANTIAGO Charles Nègre (1820-1880). La restauration de la tour Saint-Jacques, Paris (Ier arr.). 1857. Paris, musée Carnavalet.

Self-Portrait in Eastern Costume, Charles Nègre, 1855–60 Stock Photo

RMKC85GW–Self-Portrait in Eastern Costume, Charles Nègre, 1855–60

The sweeps on, Paris. Les ramoneurs en marche. Photographie de Charles Nègre (1820-1880). Tirage sur papier albuminé d'après un négatif sur papier. 1851-1852. Paris, musée Carnavalet. Stock Photo

RM2B9FXN3–The sweeps on, Paris. Les ramoneurs en marche. Photographie de Charles Nègre (1820-1880). Tirage sur papier albuminé d'après un négatif sur papier. 1851-1852. Paris, musée Carnavalet.

RF2PGTCEM–Charles Nègre - The Vampire

CHURCH OF SAINT-GERMAIN AUXERROIS, CIRCA 1853 1st district, PARIS Eglise Saint-Germain l'Auxerrois, vers 1853. Paris (Ier arr.), 1848-1858. Photographie de Charles Nègre (1820-1880). Paris, musée Carnavalet. Stock Photo

RM2B9FXM0–CHURCH OF SAINT-GERMAIN AUXERROIS, CIRCA 1853 1st district, PARIS Eglise Saint-Germain l'Auxerrois, vers 1853. Paris (Ier arr.), 1848-1858. Photographie de Charles Nègre (1820-1880). Paris, musée Carnavalet.

Galerie du Musee de la Photographie Charles Negre at a 1930s building in Nice Stock Photo

RM2T6BCB4–Galerie du Musee de la Photographie Charles Negre at a 1930s building in Nice

Inspired by West portal of Chartres Cathedral, Cathédrale de Chartres Côte Occidental Porte Laterale de droite XII Siècle, Monographie de la Cathédrale de Chartres (...), Paris 1867, plate VII from Monographie de la Cathédrale de Chartres, Charles Nègre, publisher: Imprimerie Impériale, France, 1854, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HKHWJW–Inspired by West portal of Chartres Cathedral, Cathédrale de Chartres Côte Occidental Porte Laterale de droite XII Siècle, Monographie de la Cathédrale de Chartres (...), Paris 1867, plate VII from Monographie de la Cathédrale de Chartres, Charles Nègre, publisher: Imprimerie Impériale, France, 1854, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

RMMWE492–. A picture taken by en:Charles Negre in en:1853. Of Henri Le Secq near the 'Stryge' chimera on en:Notre Dame de Paris. 1853. Author: Charles Nègre; Uploader: Dfrg.msc 271 Henri Le Secq near a Gargoyle

Art inspired by Still Life with Game Birds, 1859, Albumen silver print from glass negative, Image: 43.8 x 34.9 cm (17 1/4 x 13 3/4 in.), Photographs, Charles Nègre (French, 1820–1880, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTX176–Art inspired by Still Life with Game Birds, 1859, Albumen silver print from glass negative, Image: 43.8 x 34.9 cm (17 1/4 x 13 3/4 in.), Photographs, Charles Nègre (French, 1820–1880, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Le bucheron. Charles Nègre; French, 1820-1880. Date: 1857. Dimensions: 12.5 × 11 cm. Photogravure, from the portfolio Charles Negre: Treize Heliogravures, 1854-1857. Origin: France. Museum: The Chicago Art Institute. Stock Photo

RMRXFD08–Le bucheron. Charles Nègre; French, 1820-1880. Date: 1857. Dimensions: 12.5 × 11 cm. Photogravure, from the portfolio Charles Negre: Treize Heliogravures, 1854-1857. Origin: France. Museum: The Chicago Art Institute.

Le stryge 1853 by Charles Negre Stock Photo

RM2PK8JRX–Le stryge 1853 by Charles Negre

Charles Nègre, Portrait of the Artist's Father, c. 1853, albumen print. Stock Photo

RM2P6KM0D–Charles Nègre, Portrait of the Artist's Father, c. 1853, albumen print.

Moissonneurs, Environs de Grasse, 1865, Charles Negre Stock Photo

RMCRYP6W–Moissonneurs, Environs de Grasse, 1865, Charles Negre

Charles Nègre - organ Grinder 1852 Stock Photo

RFM1R6PT–Charles Nègre - organ Grinder 1852

Henri Le Secq and a Child Giving Alms to an Organ Grinder, 1853, Charles Negre Stock Photo

RMCRYPF9–Henri Le Secq and a Child Giving Alms to an Organ Grinder, 1853, Charles Negre

Charles Nègre - The Imperial Asylum at Vincennes 1860 Stock Photo

RFM1R6PY–Charles Nègre - The Imperial Asylum at Vincennes 1860

Charles Nègre - Pifférari Assis, Italian Street Musicians (in the Courtyard) Stock Photo

RMG8C61Y–Charles Nègre - Pifférari Assis, Italian Street Musicians (in the Courtyard)

Charles Nègre - Pifférari Assis, Italian Street Musicians - Stock Photo

RMJ0A9RD–Charles Nègre - Pifférari Assis, Italian Street Musicians -

RMJ45YFE–Nice charles negre

Bateaux de Peche et les Tours du Suquet, Cannes, ca 1860, by Charles Negre Stock Photo

RMCRYNE5–Bateaux de Peche et les Tours du Suquet, Cannes, ca 1860, by Charles Negre

The Refectory of the Imperial Asylum at Vincennes, Charles Nègre, 1858–59 Stock Photo

RMKC7JDG–The Refectory of the Imperial Asylum at Vincennes, Charles Nègre, 1858–59

Early heliogravure photo by Frenchman Charles Negre, of a fife player talking to Italian peasant women, seated in courtyard in Paris. Ca. 1855. Stock Photo

RMBTKFDP–Early heliogravure photo by Frenchman Charles Negre, of a fife player talking to Italian peasant women, seated in courtyard in Paris. Ca. 1855.

RF2PGTCE7–Charles Nègre - The Vampire

ISLAND CITY, DOCK OF THE SEINE TO 1851 4TH DISTRICT, PARIS Ile de la Cité, quais de la Seine, vers 1851. Paris (IVème arr.), 1846-1856. Photographie de Charles Nègre. Paris, musée Carnavalet. Stock Photo

RM2B9FXN1–ISLAND CITY, DOCK OF THE SEINE TO 1851 4TH DISTRICT, PARIS Ile de la Cité, quais de la Seine, vers 1851. Paris (IVème arr.), 1846-1856. Photographie de Charles Nègre. Paris, musée Carnavalet.

RF2PGTCF5–Charles Nègre - The Imperial Asylum at Vincennes - 1860

Kneeling Mason, February- March 1854, printed 1982. Photogravure, from the portfolio "Charles Negre: treize heliogravures", 1854-1857. Stock Photo

RM2GPP07J–Kneeling Mason, February- March 1854, printed 1982. Photogravure, from the portfolio "Charles Negre: treize heliogravures", 1854-1857.

Charles Nègre - Two children listening to an organ grinder - 1853 Stock Photo

RF2PGTCF4–Charles Nègre - Two children listening to an organ grinder - 1853

Art inspired by Arles, Porte des Châtaignes, 1852, Salted paper print from a paper negative, Image: 22.1 x 32.1 cm (8 11/16 x 12 5/8 in.), Photographs, Charles Nègre (French, 1820–1880, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTX14J–Art inspired by Arles, Porte des Châtaignes, 1852, Salted paper print from a paper negative, Image: 22.1 x 32.1 cm (8 11/16 x 12 5/8 in.), Photographs, Charles Nègre (French, 1820–1880, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Charles Nègre - Pifférari Assis, Italian Street Musicians (in the Courtyard, 21 Quai de Bourbon) - 1853 Stock Photo

RF2PGTCEE–Charles Nègre - Pifférari Assis, Italian Street Musicians (in the Courtyard, 21 Quai de Bourbon) - 1853

Art inspired by Arles: Roman Ramparts, Charles Nègre, French, 1820-1880, 1852, Salt print from waxed paper negative, Arles, France, Europe, Photographs, 9 in. x 12 3/4 in. (22.9 x 32.4 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HKMF3N–Art inspired by Arles: Roman Ramparts, Charles Nègre, French, 1820-1880, 1852, Salt print from waxed paper negative, Arles, France, Europe, Photographs, 9 in. x 12 3/4 in. (22.9 x 32.4 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

RF2PGTCEF–Charles Nègre - Pifférari Assis, Italian Street Musicians (in the Courtyard, 21 Quai de Bourbon) - 1853

Art inspired by Self-Portrait in Eastern Costume, 1855–60, Albumen silver print from glass negative, Image: 18.7 x 13.8 cm (7 3/8 x 5 7/16 in.), Photographs, Charles Nègre (French, 1820–1880, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW4KJ0–Art inspired by Self-Portrait in Eastern Costume, 1855–60, Albumen silver print from glass negative, Image: 18.7 x 13.8 cm (7 3/8 x 5 7/16 in.), Photographs, Charles Nègre (French, 1820–1880, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

RMMYG6YT–. A picture taken by en:Charles Negre in en:1853. Of Henri Le Secq near the 'Stryge' chimera on en:Notre Dame de Paris. 1853. Author: Charles Nègre; Uploader: Dfrg.msc 235 Henri Le Secq near a Gargoyle

Art inspired by Le Midi de la France, 1850s–60s, Albumen silver prints, 24.4 x 29.4 x 6.3 cm (9 5/8 x 11 9/16 x 2 1/2 in. ), Albums, Charles Nègre (French, 1820–1880, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTX0YK–Art inspired by Le Midi de la France, 1850s–60s, Albumen silver prints, 24.4 x 29.4 x 6.3 cm (9 5/8 x 11 9/16 x 2 1/2 in. ), Albums, Charles Nègre (French, 1820–1880, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Chateau of Vallambrosa, Cannes. Dated: c. 1852. Dimensions: overall: 24 x 33 cm (9 7/16 x 13 in.). Medium: paper negative (waxed). Museum: National Gallery of Art, Washington DC. Author: Charles Nègre. Stock Photo

RMPM26X5–Chateau of Vallambrosa, Cannes. Dated: c. 1852. Dimensions: overall: 24 x 33 cm (9 7/16 x 13 in.). Medium: paper negative (waxed). Museum: National Gallery of Art, Washington DC. Author: Charles Nègre.

Art inspired by West portal of Chartres Cathedral, Cathédrale de Chartres Côte Occidental Porte Laterale de droite XII Siècle, Monographie de la Cathédrale de Chartres (...), Paris 1867 (series title), plate VII from Monographie de la Cathédrale de Chartres, Charles Nègre, publisher, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HM17E4–Art inspired by West portal of Chartres Cathedral, Cathédrale de Chartres Côte Occidental Porte Laterale de droite XII Siècle, Monographie de la Cathédrale de Chartres (...), Paris 1867 (series title), plate VII from Monographie de la Cathédrale de Chartres, Charles Nègre, publisher, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

RFM1R6PD–Charles Nègre - The Imperial Asylum at Vincennes 1860

RMJ37Y85–Charles negre le phare au point du mole

RMMMKPT6–Charles Nègre-la République

Asile Impériale de Vincennes, la pharmacie, Charles Nègre, 1858–59 Stock Photo

RMKC7RAY–Asile Impériale de Vincennes, la pharmacie, Charles Nègre, 1858–59

Charles Nègre - Women in a Courtyard - (wwH5O-thVYsijA) Stock Photo

RMJ0AX6W–Charles Nègre - Women in a Courtyard - (wwH5O-thVYsijA)

Women in a Courtyard 1847/1857 by Charles Negre Stock Photo

RM2PK8JT0–Women in a Courtyard 1847/1857 by Charles Negre

Charles Nègre - Italian Street Musicians at Entrance to 21 Quai de Bourbon Stock Photo

RMJ082HP–Charles Nègre - Italian Street Musicians at Entrance to 21 Quai de Bourbon

ISLAND CITY SINCE THE HARBOR HOTEL-DE-VILLE, 4TH DISTRICT, PARIS L'île de la Cité depuis le port de l'Hôtel-de-Ville. Paris (IVème arr.), 1851-1854. Photographie de Charles Nègre. Paris, musée Carnavalet. Stock Photo

RM2B9FXM5–ISLAND CITY SINCE THE HARBOR HOTEL-DE-VILLE, 4TH DISTRICT, PARIS L'île de la Cité depuis le port de l'Hôtel-de-Ville. Paris (IVème arr.), 1851-1854. Photographie de Charles Nègre. Paris, musée Carnavalet.

Charles Nègre - Pifférari Assis, Italian Street Musicians (in the Courtyard, 21 Quai de Bourbon) - Stock Photo

RMJ0A9RJ–Charles Nègre - Pifférari Assis, Italian Street Musicians (in the Courtyard, 21 Quai de Bourbon) -

Portrait of Ernest Lacan (1828-1879), photographer. Portrait d'Ernest Lacan (1828-1879), photographe. Photographie de Charles Nègre (1820-1880). Epreuve sur papier salé à partir d'un négatif sur verre au collodion. Vers 1850-1860. Paris, musée Carnavalet. Stock Photo

RM2B8PAYB–Portrait of Ernest Lacan (1828-1879), photographer. Portrait d'Ernest Lacan (1828-1879), photographe. Photographie de Charles Nègre (1820-1880). Epreuve sur papier salé à partir d'un négatif sur verre au collodion. Vers 1850-1860. Paris, musée Carnavalet.

Charles Nègre, Ramparts at Arles, c. 1853, salt print from paper negative. Stock Photo

RM2P6KHRT–Charles Nègre, Ramparts at Arles, c. 1853, salt print from paper negative.

ISLAND CITY, DOCKS SEINE PORT OF CITY HALL, TO 1851 4TH DISTRICT, PARIS Ile de la Cité, quais de la Seine, port de l'Hôtel de Ville, vers 1851. Paris (IVème arr.), 1846-1856. Photographie de Charles Nègre (1820-1880). Paris, musée Carnavalet. Stock Photo

RM2B9FXMY–ISLAND CITY, DOCKS SEINE PORT OF CITY HALL, TO 1851 4TH DISTRICT, PARIS Ile de la Cité, quais de la Seine, port de l'Hôtel de Ville, vers 1851. Paris (IVème arr.), 1846-1856. Photographie de Charles Nègre (1820-1880). Paris, musée Carnavalet.

Le bucheron, possibly 1857, printed 1982. [The lumberjack]. Photogravure, from the portfolio "Charles Negre: treize heliogravures", 1854-1857. Stock Photo

RM2GPP07C–Le bucheron, possibly 1857, printed 1982. [The lumberjack]. Photogravure, from the portfolio "Charles Negre: treize heliogravures", 1854-1857.

The Cannes by Charles Nègre, 1852 Stock Photo

RM2JNDT4K–The Cannes by Charles Nègre, 1852

Nice, France, Charles Negre Photography Museum, contemporary architecture france Stock Photo

RM2HGD8TH–Nice, France, Charles Negre Photography Museum, contemporary architecture france

Vestibule reception area space of Musee de la Photographie Charles Negre; photographic photography gallery. 1, place Pierre Gaultier Nice France (135) Stock Photo

RM2T11ADM–Vestibule reception area space of Musee de la Photographie Charles Negre; photographic photography gallery. 1, place Pierre Gaultier Nice France (135)

Nègre du Soudan sculpture by Charles Cordier Musee d Orsay Paris France Stock Photo

RMB4PBJ7–Nègre du Soudan sculpture by Charles Cordier Musee d Orsay Paris France

Kneeling Mason. Charles Nègre; French, 1820-1880. Date: 1854. Dimensions: 7.5 × 6.5 cm. Photogravure, from the portfolio Charles Negre: Treize Heliogravures, 1854-1857. Origin: France. Museum: The Chicago Art Institute. Stock Photo

RMRXF3EH–Kneeling Mason. Charles Nègre; French, 1820-1880. Date: 1854. Dimensions: 7.5 × 6.5 cm. Photogravure, from the portfolio Charles Negre: Treize Heliogravures, 1854-1857. Origin: France. Museum: The Chicago Art Institute.

Art inspired by Italian Street Musicians at Entrance to 21 Quai de Bourbon, Charles Nègre, French, 1820-1880, c.1854, Albumen print, Paris, Île-de-France, France, Europe, Photographs, image: 7 3/8 x 5 1/2 in. (18.8 x 13.9 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HKME2P–Art inspired by Italian Street Musicians at Entrance to 21 Quai de Bourbon, Charles Nègre, French, 1820-1880, c.1854, Albumen print, Paris, Île-de-France, France, Europe, Photographs, image: 7 3/8 x 5 1/2 in. (18.8 x 13.9 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

RFM1R6R7–Charles Nègre - The Imperial Asylum at Vincennes 1860

Art inspired by Spartan Soldier, 1859, Albumen silver print from glass negative, Image: 35.3 x 43.5 cm (13 7/8 x 17 1/8 in.), Photographs, Charles Nègre (French, 1820–1880), Astonished on first seeing daguerreotypes (about 1844) and dreaming of the medium's potential, Charles Nègre, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTX106–Art inspired by Spartan Soldier, 1859, Albumen silver print from glass negative, Image: 35.3 x 43.5 cm (13 7/8 x 17 1/8 in.), Photographs, Charles Nègre (French, 1820–1880), Astonished on first seeing daguerreotypes (about 1844) and dreaming of the medium's potential, Charles Nègre, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

RMJ37XWF–Charles negre vu de l etage du 21 quai bourbon

The 15th of August. Imperial Asylum at Vincennes, Charles Nègre, 1858 Stock Photo

RMKC85GJ–The 15th of August. Imperial Asylum at Vincennes, Charles Nègre, 1858

RMMMKPRT–Charles Nègre-Général Gazan

Charles Nègre, French, 1820–1880, Portrait of the Artist's Father, c. 1853, Albumen print Stock Photo

RM2B0H227–Charles Nègre, French, 1820–1880, Portrait of the Artist's Father, c. 1853, Albumen print

RM2PK8JRT–Women in a Courtyard 1847/1857 by Charles Negre

Asile impérial de Vincennes, salle de jeu, Charles Nègre, 1858–59 Stock Photo

RMKC85H1–Asile impérial de Vincennes, salle de jeu, Charles Nègre, 1858–59

Charles Nègre - Pifférari Assis, Italian Street Musicians (in the Courtyard, 21 Quai de Bourbon) - (owHBM2s81YIH6w) Stock Photo

RMJ0A9RP–Charles Nègre - Pifférari Assis, Italian Street Musicians (in the Courtyard, 21 Quai de Bourbon) - (owHBM2s81YIH6w)

Steve McCurry retrospective exhibition in Nice, France, 2014. Stock Photo

RME9YWW3–Steve McCurry retrospective exhibition in Nice, France, 2014.

Charles Nègre, Seated Pifferari, c. 1853, salt print from paper negative. Stock Photo

RM2P6KH20–Charles Nègre, Seated Pifferari, c. 1853, salt print from paper negative.

Charles Nègre. Grasse. 1855. France. Salted paper print Stock Photo

RM2AHR4FM–Charles Nègre. Grasse. 1855. France. Salted paper print

Street Musicians Standing, c. 1855, printed 1982. Photogravure, from the portfolio "Charles Negre: treize heliogravures", 1854-1857" (1982). Stock Photo

RM2GPP0BT–Street Musicians Standing, c. 1855, printed 1982. Photogravure, from the portfolio "Charles Negre: treize heliogravures", 1854-1857" (1982).

Bilder negre-charles--der-kleine-lumpensammler-775412. Stock Photo

RMPMNRHR–Bilder negre-charles--der-kleine-lumpensammler-775412.

Nice, France, Building, front, at night, 'Charles Negre Photography Museum', 'Musée de la Photographie' contemporary architecture france Stock Photo

RM2HGD8TB–Nice, France, Building, front, at night, 'Charles Negre Photography Museum', 'Musée de la Photographie' contemporary architecture france

RM2T11AB0–Vestibule reception area space of Musee de la Photographie Charles Negre; photographic photography gallery. 1, place Pierre Gaultier Nice France (135)

Nice, France, Outside, Photography Museum, Photography Museum, Charles Nègre, Musée de la Photographie, Front Building, with Sign, Stock Photo

RM2GF3F5T–Nice, France, Outside, Photography Museum, Photography Museum, Charles Nègre, Musée de la Photographie, Front Building, with Sign,

[Trees and Waterfalls]. Artist: Charles Nègre (French, 1820-1880). Dimensions: Image: 13.3 x 10; Mount: 18.9 x 15.6. Date: 1860-65. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPAAN8X–[Trees and Waterfalls]. Artist: Charles Nègre (French, 1820-1880). Dimensions: Image: 13.3 x 10; Mount: 18.9 x 15.6. Date: 1860-65. Museum: Metropolitan Museum of Art, New York, USA.

RFM1R6RB–Charles Nègre - The Imperial Asylum at Vincennes 1860

Art inspired by The Refectory of the Imperial Asylum at Vincennes, 1858–59, Salted paper print from glass negative, 34.2 x 42.5 cm (13 7/16 x 16 3/4 in.), Photographs, Charles Nègre (French, 1820–1880), Gathered in the light-drenched refectory of a newly constructed convalescent, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW4JW3–Art inspired by The Refectory of the Imperial Asylum at Vincennes, 1858–59, Salted paper print from glass negative, 34.2 x 42.5 cm (13 7/16 x 16 3/4 in.), Photographs, Charles Nègre (French, 1820–1880), Gathered in the light-drenched refectory of a newly constructed convalescent, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT