Christian Svarfvar’s Post

The great Claudio Abbado in rehearsal with the Berliner Philharmoniker on the differences between one conductor and another, the great Herbert von Karajan and the way the PEOPLE/the orchestra/the organisation are reacting to the different way of interpretation of the well-known notes. This is in essences, the differences in how we humans do music (non-optimality expressive) and the way algorithms do it. Is your organisation an organisation of robots or humans?!? https://lnkd.in/d-uqxNGY

Check out this insightful blog post delving into the meaning behind "Don't Bring Me Down" by Electric Light Orchestra and the mystery lyric that began as a joke. It's a fascinating exploration of the song's backstory and its cultural impact. Dive into the post here: https://ift.tt/gL8y7ev

Really innovative project, do listen

Leopold Godowsky: The Studies on Chopin’s Études The Studies on Chopin's Études are a set of 53 arrangements of Chopin's études, composed by Godowsky between 1894 and 1914. They are renowned for their technical difficulty: critic Harold C. Schonberg called them "the most impossibly difficult things ever written for the piano." Here are some of the best known: Etude N. 5 (Op. 10 N. 3 for the left hand alone) https://lnkd.in/dYbuyjvt Ivan Ilić, Piano

Start with why, answer 'so what?', craft an argument, or comprehend the music of language when each word is brought alive by the backbone of its grammar, the rhythms of its pronunciation and the colours of its vocabulary…this alchemy of structure, perception and creativity has struck me in a few different contexts, but never before did I consider its connection with great performance. Learnt this today from Maestro Antonio Pappano👇 https://lnkd.in/ekG3Y28k - with Maria-Isabela Nica