My conclusions from the below:
The Feral Kid’s character arc goes from an animal state where he takes pleasure in using his boomerang (sloppy tie to savageness through reference to aborigines?) to kill the gay villain’s gay sex slave/lover, to being passed on the qualities of the drifter-hero Max, to eventually becoming the English-speaking founder of a new civilization with his only remaining male role models being two characters presented in the film as possessing extremely virile heterosexuality. In those first acts of violence, he’s more like the Marauders and so further from civilization. His civilization at the end of a film is an act of Freudian sublimation in that that violence is directed towards being useful for society as he comes to help Max. Wouldn’t reproductive (ie heterosexual) sex be essential to founding a new civilization? In any case, the villains are homosexual and embody the opposite of civilization
(ie savage), and the Feral-Kid-as-hero’s character-arc-goal is ‘becoming
civilized’ and thus heterosexual in order to found a new society.
If the director is making Mad Max 2, as a post-apocalyptic film critique of contemporary society, it seems like a pretty homophobic critique of society.