new FASHION ILLUSTRATION

It’s such a huge honour to share the pages of this brand new book, in which I'm featured alongside so many of my peers.
'New Fashion Illustration: 50 Essential Contemporary Artists' edited by Ana De Izaguirre, and published by Hoaki Press, showcases the work of Nuno Da Costa, Sandra Sy, Pippa McManus, Bil Donovan, Stina Persson, Cecilia Carlstedt, Anjelica Roslyn, and Lovisa Burfitt to name but a few.
It's such a treat to be in their company and to see my work on the printed page.
I love books – I’m so happy to be in one again!
Thank you, Ana x
See more here.

peep SHOW

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Earlier in the year I collaborated with one of my all-time favourite creative humans, soul-mates, et al, Charli Burrowes of Me Oh My, on some illustration and typography work for her newest collection of tees and lingerie!
Inspired, as ever, by naughty-but-nice Bardot-style girls living in a Wonderland world; creatively speaking we share the same brain.
For the graphic tee we wanted to do something that encapsulated the above while also paying homage to the ultimate fashion artist, illustrator extraordinaire, René Gruau! From the late 40’s and beyond Gruau has been responsible for some of the most iconic images for fashion houses such as Dior, Balmain, Balenciaga, and Schiaparelli, along with US editions of Vogue and Harper’s Bazaar.
Such a favourite of mine, his illustrations for Dior of women bursting forth from bouquets exploding with colour and bloom inspired me to contemplate my own variation on this theme, resulting in the first graphic art tee for one of Charli’s collections.
Dubbed ‘For Me? Yes, You!’ the tall-tee is a further nod to the sultry-but-sweet sentiment employed by the collection; wear it to bed, or as a thigh-skimming dress with knee high socks!

The tee sold OUT of its first run on launch night, but is available for pre-order for the rest of the week - due to ship in early Jan 2021.

The second group of garments, comprising a classic tee and silk knicker, bear the hand-written slogan “Do you suppose she’s a wildflower?” which any Wonderland-enthusiast would recognise from the conversation Alice has in the garden of live flowers.
These, too, are available now for purchase and pre-order here: meohmystore.com
I hope you love them as much as we did creating them.

As she does before every release, Charli poured her entire heart and soul into the most phenomenal short film to launch the collection. All pieces can be seen on the model and muse, Beth, as she bumps and grinds her way through her red-light district flower shop.
It’s a John Waters-meets Sofia Coppola-meets Wes Anderson feast for the eyes!
Please watch the entire thing below and scroll on for more inspiration behind the artwork!

Gigi Hadid - Moschino Spring/Summer ‘18

Gigi Hadid - Moschino Spring/Summer ‘18

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dior NYMPHS

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In light of the current pandemic, most fashion houses have been forced or chosen to forgo physical shows this Couture season, opting to present their designs through editorials, live-streams of audience-less shows, or - in Dior’s case - a film!
Directed by Italian film-maker, Matteo Garrone, ‘Le Mythe Dior’ presents Maria Grazia Chiuri’s A/W 20/21 Haute Couture collection as a Pre-Raphaelite fantasy; a fairytale where mermaids, maidens and nymphs frolic, swim, and kiss within a magical forest as two Dior porters roam the woods, carrying an enormous doll house - miniature versions of Dior creations enclosed inside, enticing each character.
I was completely enchanted and just had to draw my own version.
While the film itself has been called out for its lack of diversity (and rightly so as there was room to include POC within its cast of characters) I thought it was such an incredibly beautiful take on ethereal mythology.
I figured I could expand upon the cast within my illustration!
So here you have it - two nymph-like beauties, draping themselves over the most heavenly gown, entwined in forest vines.
Please be sure to watch the film below and enjoy it for yourselves!
(I am utterly in awe of the miniatures themselves, the craftsmanship is something to be admired.)

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Images via Dior

the NEW TREND

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Image via OneTwo Agency

Image via OneTwo Agency

Philosophy Di Lorenzo Serafini F/W ‘18  Photograph by Sonny Vandevelde - www.sonnyphotos.com

Philosophy Di Lorenzo Serafini F/W ‘18
Photograph by Sonny Vandevelde - www.sonnyphotos.com

Recent work for OneTwo Agency for an event celebrating the first birthday of fashion retailer, The New Trend, which specialises in bringing luxury International designers to the racks of Australian consumers. The brief was to incorporate this stunning Philosophy Di Lorenzo Serafini polka-dot dress. Engulfed in a cloud of wisteria, this girl was used on invitations and coffee cups for the event.

WONDERLAND

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A subject I can never quite put to bed, ‘Alice in Wonderland’ has once again provided inspiration for my latest illustration and print in my Fairytales & Fables series.
It didn’t ease my fascination to recently visit the ‘Wonderland’ exhibit in Melbourne’s ACMI centre.
To see so many iterations of Lewis Carroll’s famous story, along with original artworks, manuscripts and various animation stills, was a treat beyond all others!
(Scroll down further for a few images from the exhibition.)

With a brain abuzz with Wonderland magic, and feeling inspired by a particular chapter in ‘Through the Looking Glass’ - ‘The Garden of Live Flowers’ - I decided to portray Alice in a garden bed surrounded by oversized, talking blooms.

'How is it you can all talk so nicely?' Alice said, hoping to get it into a better temper by a compliment. 'I've been in many gardens before, but none of the flowers could talk.'

'Put your hand down, and feel the ground,' said the Tiger-lily. 'Then you'll know why.

Alice did so. 'It's very hard,' she said, 'but I don't see what that has to do with it.'

'In most gardens,' the Tiger-lily said, 'they make the beds too soft — so that the flowers are always asleep.'

This sounded a very good reason, and Alice was quite pleased to know it. 'I never thought of that before!' she said.’

– Lewis Carroll.

Of course in this version we see Alice in all of her sartorial splendour with a little nod to the extraordinary impact she has had on the fashion and beauty industries via an imagined Diptyque scent Wonderland which would, of course, be used as a vase in its namesake habitat.
(As I, myself, do with my own empty vessels at home.)

I hope you like this latest ‘Alice’ illustration.

Prints are available in limited quantities in my shop here: www.birdyandme.com.au/shop

L-R Concept Art by Walt Disney Studios, Original Pencil Sketch by John Tenniel

L-R Concept Art by Walt Disney Studios, Original Pencil Sketch by John Tenniel

RODARTE PARIS COUTURE

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It felt quite fitting after re-watching 'Black Swan' this past weekend, drooling over those stunning Rodarte costumes, that I should wake up on Monday morning to see images from their debut show at Paris' Couture Fashion Week (their first away from their native NYFW).
There were so many stand-out moments, it was hard to choose which images to include in this post. But, all I can say is, if ever there was a collection that embodied everything I love about fashion, it's this one. Feathers, florals, bows and tulle. I love it all! Ethereal beauties adorned with babies breath, floating through a garden in full bloom.
I did choose one of the softer options to illustrate (No pink! Shocking!) as I wanted to focus on colours closer to nature.


Rodarte Spring 2018 photographs © Kelly Taub + Giovanni Giannoni / WWD

BEAUTY & THE BEAST

It's come to the point in my fairy tale collection where I've started saving the best for last.
While it's so hard for me to play favourites, as so many different stories appeal to me for different reasons, 'Beauty and the Beast' is one of those stories that just gives me butterflies.
Admittedly, it's a tale that I never connected with until I saw the Disney adaptation in 1992. Prior to that, I think I had seen an 80s soap-style version that starred Linda Hamilton – which didn't exactly grip me. Of course, we can never forget Shelley Duvall's 'Faerie Tale Theatre.'
However, from the very first moment I laid eyes on that shiny, big screen and listened to a host of villagers sing 'Bonjour!' to each other I was hooked. I still vividly remember turning to my Mum half-way through 'Be Our Guest' and requesting we 'buy this on video as SOON as it comes out!'
It was love.
Over the past 25 (gulp!) years I have devoured other editions of the story - most notably the French live-action film starring Léa Seydoux as Belle and Vincent Cassell as the Beast.
This version is much more in keeping with the original tale and I highly recommend watching it. It's visually stunning.
I also have to make mention of Disney's current live-action remake. I admit - I've already seen it three times. On first viewing I wasn't sure what I thought of it, having already seen (and loved) such a high quality live-action version of the story, but also being so familiar with the original 1992 version.
However, on subsequent viewings, I was able to take it in without any pre–conceived ideas and just enjoy it for what it was.

I digress! Back to the illustration. I started my interpretation of this story almost a year ago!
I had some initial ideas of how I wanted to capture it in illustrated format, but I kept putting it off, wanting the idea to have time to grow if needed - and I was never entirely happy with what I was doing. To try to encapsulate such a delicately beautiful and layered story into just one image is not as easy as it sounds. There are so many themes within 'Beauty and the Beast' - not just the love story between Belle and the Beast, but also those of jealousy, greed, materialism and the superficial manner in which we can judge each other. There was also the symbolic nature of the rose.
Some interpretations of the original tale by Gabrielle-Suzanne Barbot de Villeneuve are quite grotesque. Others are beautiful, and opulent. I think we all tend to associate fairy tales with the fantasy of royalty and beauty. However, they always hark back to darker roots; stories created to scare children into making good moral choices. Which is why it can be so hard to truly depict each story.
But, strip it all back and no matter which way you look at it, this story is ultimately about love; lost, platonic, coveted, and deep, true love. Which is why I decided to focus my illustration on the enigmatic rose at the heart of the story - with a side of couture as always.
Depending on which version you want to read into, the rose symbolises the Beast's love for his previous wife; his grief and guilt at her death which was (inadvertently) caused by his own callous and beastly nature, but also the love that Belle's father feels for his daughter, as it is this rose that he plucks from the Beast's garden to give to Belle when he returns home. A rose is what Belle covets most, when all of her sisters crave jewels and finery. In the Disney version, the rose is a physical reminder of the Beast's curse, representing the time he has in which to break the curse that befalls him, before the last petal falls.
One of my favourite parts of researching this tale was seeing how their relationship is depicted in different variations of the story. I wanted to focus on the progression of their relationship, and in doing so fell back into the original tale. Belle, having taken the place of her father, sits down to an opulent dinner with the Beast each night. After every meal he asks her to marry him, a proposal she refuses. However, gradually, as she begins to know him, and to feel empathy and gratitude toward him for the kindness that he shows to her, she starts to see his true character beneath the beastly guise, and falls in love with him.
Chic as ever, dressed in Chanel-inspired lace, Belle and a Versace-clad Beast are ensconced inside the glass cloche, standing amongst opulent candelabras and the peony roses that represent their budding love affair.

The latest in the collection, 'Beauty and the Beast,' is available in my store now in limited A3 + A2 editions until sold out.

SHOP HERE: www.birdyandme.com.au/shop

More Beauty and the Beast inspiration below:

Drew Barrymore by Annie Leivobitz for Vogue (US)

Drew Barrymore by Annie Leivobitz for Vogue (US)

La Belle et la Bête, 2014 - Pathé Films

La Belle et la Bête, 2014 - Pathé Films

Karen Elson photographed by Tim Walker, Love Magazine, 2013

Karen Elson photographed by Tim Walker, Love Magazine, 2013

Beauty & the Beast, photographed by Giampaolo Sgura, Magazine Antidote, 2011

Beauty & the Beast, photographed by Giampaolo Sgura, Magazine Antidote, 2011

Kate Moss by Tim Walker, Vogue Italia, 2015

Kate Moss by Tim Walker, Vogue Italia, 2015

Beauty and the Beast, 2017 - Walt Disney Pictures

Beauty and the Beast, 2017 - Walt Disney Pictures

Alexander McQueen. Savage Beauty

Alexander McQueen. Savage Beauty

L'ORÉAL

Happy New Year!
I'm back at my desk and kicking off the 2017 posts with some recent work for L'Oréal Paris and their 'Root Cover-Up' product using pencil and ink to create a glorious mane of flipped over curls with just a hint of grey.
I thought it'd be fun to show this one as an animated gif. Greys - no greys! Magic!

PÉRSONA COSMETICS

Image via Simply Sona / Pérsona Cosmetics

Image via Simply Sona / Pérsona Cosmetics

Image via Simply Sona / Pérsona Cosmetics

Image via Simply Sona / Pérsona Cosmetics

Image via Simply Sona / Pérsona Cosmetics

Image via Simply Sona / Pérsona Cosmetics

Earlier this year I worked on a beautiful project with make-up artist, beauty blogger and all-round cosmetics aficionado, Sona Gasparian, on an illustration for the packaging of the very first product in her JUST LAUNCHED cosmetics line, Pérsona.
Readers, and beauty enthusiasts alike, may recognise Sona from her insanely popular make-up tutorials on YouTube and her website Simply Sona.
It is always best to read about any Creative's passion project in their own words, so I highly encourage you to visit Sona's post about Pérsona here: www.simplysona.com

Taking inspiration from the city of Paris, the illustration for this product had to convey the idea of its namesake 'Identity Palette' and the way that we can transform our look through make-up, especially when adapting to new surroundings. For this eye-shadow palette and its warmly smoky, metallic hues, the brief was to create a mysteriously alluring French beauty. In true Gallic fashion, our girl has a look that is both effortless and natural, yet striking and seductive at the same time.

Needless to say that it was such a lovely job to work on, and I send Sona so many congratulations on such a huge achievement and I'm excited to see what comes next!

These gorgeous eye shadow palettes can be purchase via the Pérsona website here: www.personacosmetics.co

HYFASHION AT GRAND HYATT MELBOURNE

HyFashion Stationery Suite, photographed by Gemma Watts

HyFashion Stationery Suite, photographed by Gemma Watts

Brooke Meredith in Con Ilio for the Grand Hyatt Melbourne, photographed by Neiyo Sun

Brooke Meredith in Con Ilio for the Grand Hyatt Melbourne, photographed by Neiyo Sun

Brooke Meredith in Con Ilio for the Grand Hyatt Melbourne, photographed by Neiyo Sun

Brooke Meredith in Con Ilio for the Grand Hyatt Melbourne, photographed by Neiyo Sun

Designer, Con Ilio, and Brooke Meredith in Con Ilio for the Grand Hyatt Melbourne, photographed by Neiyo Sun

Designer, Con Ilio, and Brooke Meredith in Con Ilio for the Grand Hyatt Melbourne, photographed by Neiyo Sun

I recently had the honour of working with the incredibly luxurious Grand Hyatt Melbourne on their Spring fashion campaign, HYFASHION, in collaboration with Australian designer, Con Ilio;
celebrating the iconic beauty of the 'Paris' end of Collins St, Melbourne's premiere shopping precinct, and home of the hotel.
Incorporating the stunning pink 'Charlotte' gown with its hand embroidery and signature camouflage print designed by Con himself, we wanted to create the image of a bold and confident woman; the personification of Melbourne's celebrated fashion and design scene.
As a huge fan and admirer of Haute Couture, working with a designer championing the very specific and intricate methods of creating such gowns was a dream.

During the course of the promotion, guests can book a very special 'HY FASHION' package which includes, with a luxury stay at this beautiful hotel, an exclusive stationery suite (designed by me), High Tea for two in Collins Kitchen, and a one-on-one consultation with Con Ilio.

To book a stay at the Grand Hyatt Melbourne visit the website HERE.